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| Before deciding upon an acting career, Philadelphia-born Linda Fiorentino briefly flirted with the notion of becoming a lawyer. Fiorentino fans consider her first year of filmmaking her most rewarding, and her inaugural movie role as an erstwhile, lovestruck artist in Vision Quest (1985) among her finest performances. After a conventional heroine stint in Gotcha! (1985), Fiorentino raised eyebrows (and temperatures) as a mellow sculptress with a predilection for kinky sex games in the bizarre After Hours (1985). After 1985, Fiorentino was seldom well served in pictures, hampered by too many nondescript performances in ensemble films. Then came her startling portrayal of the utterly amoral "black widow" Bridget in John Dahl's low-budget sleeper The Last Seduction (1994). In a less rule-bound world, Fiorentino would have been nominated for an Academy Award, but unfortunately The Last Seduction was shown on cable TV before its theatrical release, thus rendering it ineligible for the Oscar race. The success of The Last Seduction and Fiorentino's widely praised performance provided the resuscitation her career needed, but subsequent lead roles in a series of complete turkeys -- most notably the David Caruso thriller Jade (1995) and Dahl's Unforgettable (1996) -- quickly negated the positive effects of the film. Fiorentino did enjoy a measure of acclaim for her role as Christ's only living descendent in Kevin Smith's Dogma (1999), and she continued to work steadily in all sorts of films, including Thaddeus O'Sullivan's Ordinary Decent Criminal, in which she played one of the loves of a charismatic Dublin criminal (Kevin Spacey). |
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